Assignment 1 – Criteria of Success

Demonstration of Technical & Visual Skills

I am pretty confident in using my camera so I made sure I had the settings sorted out before I approached each subject.  I did have trouble with my Fuji focussing system while taking photos of the guy selling the Big Issue, which was a bit offputting.  However I just ploughed on as the moment could have passed if I messed about with them.  The backgrounds were not the best as I tended to make a decision about who to ask and then look at where we were.  Most of the time, it was in the place that we stopped to talk except for The Biker who I directed to stand against the huts.  The images are generally focussed and clear, with even lighting and no great differences in tones.  All were shot outside using natural light and without flash, and of those two were in bright sunny conditions. They required a little balancing in Lightroom but nothing major.

Quality of Outcome

I am pleased that I managed to get the five people as outlined in the brief.  However, I admit that I didn’t have a clear plan in mind and I think that this has shown in the randomness of the people.  There is a good spread of male and female, and most are young which wasn’t intentional at the time.  Given the chance to do it all again, I would like to make more use of the area around me to find suitable events to instil a common theme.  Generally, the subjects are happy and smiling, and willing participants which is something that pleased me and gave me some confidence to carry on.

Demonstration of Creativity

Creatively, I had little impact and it shows that there was no main plan or theme.  Given that I am a natural introvert, approaching people was not an easy task but I got out there and did it.  I think that I was better at doing this than I give myself credit for, being a bit of a ‘grab and go’ person, and they are successful in that I managed to get a decent portrait of each subject.  I do believe that there is a visible connection with most of the subjects with the one exception being the young man in the black glasses who was a bit wary even though he was willing to help me.  I am not sure whether the images tell me any more about the people posing; if anything it tells me more about me as a photographer and how I approach difficult tasks. I may not have enjoyed doing it but the results of pushing myself are a decent first attempt, and I am sure that I will go on to complete this assignment again with better thinking attached.

Context

Approaching unknown people is something that can be difficult for both sides as we live in a world where we shut people out on a face to face level while being totally connected in a virtual sense all the time.  I have spent time in London recently and took  time watching people as they go about their daily lives, travelling on the tube, walking to and from work, shopping and sightseeing.  I live in Devon and we are more used to speaking to each other whether while ordering a coffee, out with the dog, in a supermarket or just acknowledging another person’s presence.  In London, most seemed shocked if I thanked them, smiled or made eye contact.  Maybe that’s what this assignment has really taught me, that we still need that human interaction and to make connections with each other.  To take a photograph of someone is about having a connection however brief and whether that connection comes across in the resulting image.  The context is that in a busy world of phones and chatter, there is a need to find people and look them in the eye and catch something about them even if it is only that they were standing still for five minutes and talking to me.

Overall

Graham Clarke quoted Garry Winogrand in his book The Photograph and it chimed with me: “For me, the true business of photography is to capture a bit of reality (whatever that is) on film…if, later, the reality means something to someone else, then so much the better.”  I think that’s what I was doing, capturing a bit of reality for that moment of that person.  It was not an easy assignment from the point of view of planning and executing, and I think that I could have done more thinking about it beforehand.  I would like to have another go now that I have got a bit more confidence and I will be thinking up ways to do that.  Technically the photographs were bright and in focus and I did not make any glaring mistakes that meant I could not use the images.  It was successful in some respects but more work is required to make it better.

 

Advertisements

First thoughts on ‘The Non-Familiar’

Assignment 1 asks to make five portraits of people who were previously unknown to me.  I have ignored it for a couple of weeks hoping that it might go away but I finally had to knuckle down and do something about it.  I admit that I not the most gregarious of people and I find portraits quite difficult anyway in that I tend to rush rather then take my time, as I feel that the sitter will be impatient with me taking time to sort out focussing and all that on the camera.  When they say that it is out of the comfort zone, I tend to agree for this reason as I refer to be invisible.

I didn’t really have a definite plan in mind of who I wanted to try to find to photograph other than I wanted them to be from where I live, so the people who work and live here.  I live in a tourist area by the sea and when the sun comes out, so do the people and locals. It seems that we almost hibernate during the winter but as soon as the first rays glow, out they come casting off clothes and ready to face the world.  I would like to say that I had it all planned out, that I would go to a certain place and find the right people.  In reality, I took my camera to several events and hoped that it would come to me.  In my favour is the fact that I seem to have to air of someone who knows (a) where they are going and (b) where everything and everywhere is, plus I must be approachable as I have been asked directions in the USA, Canada, and Germany as well as the local Sainsburys.  I have seen Martin Parr in action in programmes and he makes it look so easy.  I am no Martin Parr, on several counts. But I hope that when I did approach people that they weren’t intimidated by me.  I even asked a young man who seemed very wary but allowed me to photograph him anyway.  Interestingly, I think this is the one image that shows the lack of connection and has a ‘far away’ feel to it.  The others were very accommodating and it was ok after all although I did have trouble with the focussing on my small camera on one occasion that I panicked over a little but laughed it off.  That is the learning part of it.  I was once told by a piano player that you never stop playing if you make a mistake, you carry on and most people won’t even notice and assume that it’s part of the piece.  I am learning to carry on playing so that it all looks intentional while to me it appears that it’s chaos.

Below are a couple of the few photos that I took in order to move towards getting them to pose for me.  Dan is the only one that I remembered to ask his name, and I took some of him making the coffee before stopping him to get him to look in the camera.  With the ice-cream seller, it was a breezy afternoon on the seafront and the wind whipped up under the canopy as I was taking the photos.  She was laughing at her hair going all over the place and while this was a moment, it was not the moment.

Non Familiar contact-1
Dan making the coffee

 

Non Familiar contact-2
Timing

 

 

 

 

 

 

So, I have finally come up with five images and while I am not sure that they are the best I have done, I am submitting them as a first draft in order to get on with the rest of the course and not be bogged down in this.  As time goes by, I will be persevering in photographing strangers and hopefully getting better at it as I do.  I feel sure that this is not the final five as the course progresses but for now, I have got them.