- Demonstration of Technical & Visual Skills
The photographs are evenly lit and have specific areas in focus as dictated by the location of the tattoo on the body. The light source is mainly natural available light as the subject was outside in a shaded area. The colours are mainly black and blue which gives a uniformity across the five images, with the blue background being the dominant one. The framing is tight in order to isolate a specific area, and to make the subject the focus rather than the background being a distraction and taking attention away from the subject. There is a uniformity across the series
- Quality of Outcome
The brief was to produce a set of five photographs that have a theme and make use of techniques covered in the chapter. These are five individual images that make up a whole, and concentrate on one person and his tattoos which are an integral part of him. There is a symmetry with the use of left arm, left leg, right arm, right leg and whole body to bring them all together. I was aiming for a montage approach but ended up with more of a trail from one side to the other. My inspiration had come from David Hockney and Nadav Kander, and this is an interpretation of what they produced. This is not exactly what I had in mind but it was more difficult to portray than I thought, and this is the follow on from the exploration of the original idea. The series has got a cohesion to it and gives an idea of him as a person but allows for more than one interpretation of what the tattoos mean.
- Demonstration of Creativity
I had an idea about trying to portray the light and dark sides of a person, what they show and what they hide. Barney had agreed to be the model for the assignment and I did an initial trial where I took multiple photos in order to make a montage. I found this really interesting and actually was closer to what I had thought I wanted to achieve, but moving on from the initial shoot was more difficult and the more photos I took, the further away I got from this idea. The set works but maybe not as interestingly as the initial idea. I was at a loss as to how to proceed and time was running away, therefore I followed the less imaginative path in order to complete the assignment and move on.
Portraits are harder than they appear and finding a theme to join them together is not straightforward. Barney was willing to sit for me, in a variety of setups from outdoors to studio in order for me to try to capture that illusive moment that I had seen in the initial trial. The ‘Street and Studio’ suggested that there should be a mix of the two, but ‘studio’ always suggests something stiff and formal as well as difficult to achieve without the right equipment. I tried doing both but erred on the side of caution and settled on natural light with one portrait.
The set of photographs works within the context of the brief. I was really interested in the montage idea but eventually found that the more I worked on it, the less it fulfilled what I had in mind. I did not feel that I had time to keep on plugging away when the results were so illusive. Part of the problem was that I had to keep asking Barney to do more of the same thing while not seeing that ‘something’ in the final images and maybe this was the reason that I felt that this was not the best assignment that I could have done. Again. Maybe I will return to this before assessment and redo it along the lines of the montage idea. The initial set of my photos fired my imagination but ultimately I could not translate that into a finished product, which I find very frustrating. However, the images that I produced were competent and that is what matters at the moment.